
Special Guest Performance:
Sistema NB St. Stephen Centre,
String Orchestra
Musical
Programme
Conductors:
Tony Delgado / Pedro Moya
Overture to The Barber of Seville
Gioachino Rossini (1792–1868)
Symphony No. 6 in F Major,
Op. 68, “Pastoral”
Ludwig van Beethoven (1770–1827)
(Shepherd’s Song. Cheerful and Thankful Feelings After the Storm)
Concerto in G Major for
Viola and Orchestra
Georg Philipp Telemann (1681–1767)
2. Allegro
Soloist: Daniel Millea, Viola
Fanfare for the Common Man
Aaron Copland (1900–1990)
The Honour Song
George Paul
Arranged by: Tony Delgado
The Moldau (Vltava)
Bedřich Smetana (1824–1884)
Danzón No. 2
Arturo Márquez (b. 1950)
Listening to
the Earth:
Nature, Community,
and Renewal
This afternoon’s concert explores humanity’s evolving relationship with the natural world, how we listen to it, draw inspiration from it, and carry responsibility for its future.
Across cultures and centuries, composers have turned to nature not simply as scenery, but as teacher, mirror, and source of renewal.
The music performed today invites us into a shared reflection: sustainability begins with listening, to the land, to one another, and to generations past and future.
Gioachino Rossini (1792–1868)
Overture to The Barber
of Seville
Rossini’s overture bursts with vitality, wit, and irrepressible energy. Though originally written for the theatre, its enduring popularity reminds us that culture itself is a living ecosystem, one that thrives when creativity is shared, renewed, and passed forward.
Ludwig van Beethoven (1770–1827)
Symphony No. 6 in
F Major, “Pastorale”
V. Shepherd’s Song: Cheerful and Thankful Feelings After the Storm
Beethoven’s Pastorale Symphony was inspired by nature and is one of the earliest and most profound musical meditations on humanity’s place within nature. Rather than portraying nature as dramatic spectacle, Beethoven offers something quieter and more radical: coexistence.
The final movement follows a storm, expressing gratitude, relief, and humility in its aftermath.
In an era of environmental uncertainty, these movements remind us that resilience and renewal are possible when we listen carefully to the natural world.
Georg Philipp Telemann (1681–1767)
Concerto in G Major
for Viola and Orchestra,
TWV 51
II. Allegro
Soloist: Daniel Millea, Elsipogtog First Nation
Telemann’s concerto reflects a musical world built on balance and cooperation. The solo viola speaks with warmth and individuality, yet always in conversation with the orchestra.
This interplay offers a powerful metaphor for sustainability: leadership does not exist in isolation, and progress depends on collaboration, responsiveness, and mutual support. Each voice matters, but no voice stands alone.
Aaron Copland (1900–1990)
Fanfare for the
Common Man
Written during the Second World War, Copland’s Fanfare for the Common Man honours everyday people rather than heroic figures or conquest. Its broad, open harmonies evoke space, dignity, and shared responsibility.
In the context of this concert, the fanfare reminds us that the future of our planet rests not with a few, but with all of us, through ordinary actions, collective choices, and common purpose.
George Paul
The Honour Song
(arr. A. Delgado)
This music was composed by Mi’kmaw Elder, musician, and composer George Paul, and has become an anthem for the Mi’kmaw people. The work draws inspiration from Indigenous traditions that emphasize respect, gratitude, and relationship with the land. Long before sustainability entered modern discourse, Indigenous cultures understood stewardship as a sacred responsibility.
The Honour Song invites reflection rather than applause, offering a moment to listen, to history, to community, and to the wisdom carried forward through generations.
Bedřich Smetana (1824–1884)
The Moldau
(from Má vlast)
Smetana’s The Moldau traces the journey of one of Bohemia’s great rivers, starting from its source as two small springs, through the unification of both streams into a single current, through forests and villages, past human celebration and labour, and onward beyond our sight.
Water is the ultimate symbol of sustainability: essential, powerful, vulnerable, and shared. As the river flows onward, the music reminds us that nature existed long before us and will continue after us. Our role is not ownership, but care.
Arturo Márquez (b. 1950)
Danzón No. 2 (1994)
Danzón No. 2 is one of the most beloved contemporary orchestral works of the past several decades. Drawing on the danzón, a traditional dance with roots in Cuban and Mexican culture, Arturo Márquez transforms a social dance into a vibrant orchestral celebration.
The piece unfolds gradually, beginning with restraint and elegance before building toward increasingly energetic and rhythmic climaxes. Throughout, individual voices emerge and recede, always returning to a shared pulse. This balance between freedom and structure mirrors the principles of sustainability itself: vitality shaped by respect, tradition animated by renewal.
In closing today’s program, Danzón No. 2 reminds us that sustaining the future of our planet also means sustaining culture, community, and joy. The music affirms that care for the world is inseparable from celebration of the human spirit that lives within it.

Maestro
Antonio Delgado
Conductor
Antonio Delgado got all his early musical education in the world-renowned El Sistema program (National System of Youth and Children's Orchestras of Venezuela) in his home town of Caracas. Though Delgado began his musical life on the violin, he soon discovered his love and talent for conducting. Maestro Delgado began his conducting studies with Maestro Rodolfo Saglimbeni and pursued further training at the Canford School of Music in Wimborne, England where he learned from Maestro George Hurst, among others. From 2005 to 2010 Delgado was Musical Director of the 2nd largest South American theatre, Teresa Carreño, where he conducted a diverse range of music, garnering particular acclaim for his interpretations of ballet (Swan Lake, Romeo and Juliet, Nutcracker among them) and opera (La Traviata, Lo Speziale and La Finta Semplice and others). Though he has conducted every major orchestra in Venezuela, Delgado has not hoarded his talents, as performance dates in Ecuador, Puerto Rico and Canada clearly attest.
Since July 2010, Delgado has been Musical Director and teacher in residence of Sistema New Brunswick, as well as Musical Director and Conductor of the New Brunswick Youth Orchestra, which he led to win at the Summa Cum Laude 2011competition held in Vienna, also to different tours in Canada, Austria, Czech Republic, Germany and the latest important performance at the ”Viennese Master Invitational” at the Carnegie Hall, New York City during the summer of 2023.
Since his arrival to NB, he has founded and conducted the “Moncton Youth Orchestra”, the “Sistema Children Orchestra and the Professional “Tutta Musica Orchestra” while serving as orchestra conductor for 6 years to the Universite de Moncton Opera productions such as: “Marriage of Figaro”, La Clemenza de Tito”, Dido and Eneas” and “Les Mousquetaires au couvent”, among others. In 2019 he returned to Caracas, Venezuela as a guest conductor for the production of Verdi’s “Rigoletto” at the Municipal Theatre.
In 2016, together with actor/director Marshall Button and The Capitol Theatre, he created a series of annual musicals combining local and national talent with great success. To date, these professional productions include: The Sound of Music, Oliver!, Mary Poppins, Beauty and the Beast, and The Wizard of Oz.
Maestro Delgado has always been compelled to work with local and Canadian renowned artists and bands like 1755, Chris Colepaugh, Kevin Lau, Jaelem Bhatem, David Myles, Measha Brueggergosman, Troiselle, James Hill & Anne Janelle.
As part of the “Canada 150” celebrations, he worked together with Academy Award winner Howard Shore, to premiere his composition “Sea to Sea” at the National Arts Centre in Ottawa.

Maestro
Pedro Moya
Conductor
Pedro Moya is a violinist, conductor, and educator with over three decades of international experience in orchestral performance and arts leadership. He currently serves as the Conductor of the Moncton Youth Orchestra (MYO) and a Violin Instructor for Sistema NB, where he focuses on crafting meaningful performance experiences and nurturing the next generation of string players.
Prior to his work in Canada, Mr. Moya held pivotal leadership roles within Venezuela’s world-renowned El Sistema. As a State Managing Director, he oversaw the musical and administrative activities of 21 music centers, impacting approximately 30,000 students. His tenure was marked by the creation of diverse ensembles, including the Zulia Symphonic Rock and Latin Caribbean Orchestras, and the facilitation of international tours.
An accomplished orchestral musician, Mr. Moya has performed with prestigious ensembles globally, including the Kayaleh Chamber Orchestra in Switzerland, the World Orchestra in Germany, and the Pacific Music Festival in Japan. His pedagogical background includes over a decade as a Violin Teacher and Strings Coach at the University of Zulia.
Beyond the podium, Mr. Moya is a passionate instrument technician and the founder of Atlantic Strings Services, specializing in the maintenance and restoration of string instruments. He holds advanced diplomas from the Kayaleh Violin Academy and the Latin American Academy of Violin, and continues to enhance his technical expertise through professional coursework at the University of New Hampshire.
MUSICIANS
VIOLIN I
Alex Zhang
Bella Breau
Borys Moiseiev-Lozhnikov
Ella Nguyen
Emanuel Balcazar
Emilie Duncan
Shiwoo Lee
Maya Hubert
Skylar Brigley-Byers
Tashel Wagaarachchi
CONCERTMASTER
Ben Lewis
VIOLIN II
Alice Antonio
Alice Freitas
Ariany Lozada
Danica Moss
Émeraude Gaudet
Faraja Remi
Illo Wang
Joao Victor De Oliveira Carvalho
Keenan Lozada
Leanne Debbie Felter-Gonen
Mary Trinh
Samuel Osibanjo
Talia Kayabula
Toluwanimi Osibanjo
John Glenn
Zori Rousselle
VIOLA
Athena Lamb
Brian Phung
Daniel Milliea
Eve Arsenault
Noémie Doiron
Owen Lewis
Palin Doyle
Shirley Felter-Gonen
CELLO
Alexander Delgado
Amaro Serrano
Claire Rousselle
Mayumi Jimenez
Oluwatobiloba Sadiq
Sofia Guadarrama
Toni Ogunsola
Vince Berceles
DOUBLE BASS
David Bogui William Lubin
Julia Hidaka Ito
Liz Reis
Sofia Freitas
Susan Erazo
OBOE
Alwyn Luciano Segura
Austin Eveleigh
Marcus Caleb Diga
Zion Adetoro
Zoe Mishka De Joya
FLUTE
Gabrielle Couture
Khanh Duyen (Anne) Pham
Nathaniel Hebert
Rama Khedhri
Roy'an Enitan Adelakun
Ray Lopez
Yashiv Nandakumar
Zion De Joya
CLARINET
Emmanuel Falana
Esther Aderibigbe
Jensen McKinnon
Jeremy Sibrian
Shinie Wagaarachchi
Swaranjali Gadhave
BASSOON
Isabelle Boudreau Silver
Jason Masominu
Nayes Atif
Quan Nguyen
Raphaël Chan Tang
Samuel Falana
FRENCH HORN
Arthur Ortiz
Pablo Bermudez
Rodrigo Erazo
Sartaaj Singh
Yufei Wang
TRUMPET
Brody MacBurnie
Elliot Delgado
Eunice Aderibigbe
Gibb Aguilar
Jayden Masominu
Leon Wagaarachchi
Okike Eden Oguntayo
Samuel Ouellette
TROMBONE
Aliyah Jean Balmaceda
Calvin Gallant
Dinh Minh Hoang
Nina Atif
Omar El Harkati
Tharith Nelli
PERCUSSION
Aaron Randall
Arik Abazi
Jasper Wang
Matthew Tupy
PIANO
Sam Phong

Social Change
through Music
Founded by the New Brunswick Youth Orchestra in 2009, Sistema NB was created on a simple but powerful belief: every child deserves the opportunity to discover their potential, regardless of circumstance.
What began as an ambitious vision has grown into the largest orchestral social development program in Canada. Today, more than 1,400 children and youth participate in free, intensive music education programs in eleven communities across New Brunswick, spending up to three hours a day, five days a week, learning, creating, and growing together.
Inspired by the global El Sistema movement, Sistema NB uses music as a catalyst for personal growth, belonging, and opportunity. Through daily ensemble learning, students develop confidence, discipline, resilience, leadership, and a deep sense of community. The program's impact extends far beyond the concert hall, helping young people build the skills and relationships that shape successful and meaningful lives.
Sistema NB has become an internationally recognized model for social innovation through the arts. In 2015, the New Brunswick Youth Orchestra received the Prime Minister's Award for Social Innovation in recognition of its leadership and the transformative impact of Sistema NB on children, families, and communities across the province.
More than a music program, Sistema NB is a movement that demonstrates what is possible when excellence, opportunity, and inclusion are made available to every child.



